It was Christmas 1987, and Games Workshop celebrated the festive season by releasing two limited edition Space Marines (or “Spaced Out Marines” as the advertising called them).  I’ve painted the pair for my growing Crimson Fists force.

Crimson Fists, more like … Crimson Pisseds.

These castings came thanks to @DocRods – who’s been sending me an absolute surfeit of vintage beakies and 2000AD bits.  Thanks Doc!  A very merry Christmas to you, more of them appearing painted very soon.

The Battle Brothers have I FEEL FISTIVE and PUNCH DRUNK graffitied onto their armour.

The cigar-smoking Space Marine has a wisp of tobacco smoke sculpted onto his cheek, which other painters have misinterpreted as a casting worm to remove, or a facial scar to paint pink.

There are two varieties of plastic mk6. backpacks – identical except for the placement of the depressions where they attach to the Marine.   One hole is so high up that when mounted on the metal Rogue Trader Space Marines it looks like it’s sliding down his back – but on this one Marine it’s perfect for the drunken dishevelled feel.

The Crimson Fists stagger back from the Candlemas celebrations.  But who-ho-ho is lurking in the woodlands?

Crimson Fists Painting Tutorial

This month my painting tutorials have seen a record number of sign ups in the wake of the Golden Demon victory.  Thanks to all the new Ninjabread patrons who are supporting the photography and write ups, and also the website in general!

If you want to see these steps broken down, wth the techniques and theory behind them spelt out, the tutorial is available on Patreon. The skills you’ll learn are transferable to all colours of power armour.

I’ve brought a pile of metal Space Marines away with me at Christmas, so hopefully it won’t be too long before I can post up some new squads, characters and vehicles.  Will 2019 be the year they can reach the critical mass of a workable army?

Merry Christmas and a happy New Year!

I love doctors. And I love Space Marines. Put them together, and you get Doctor Space Marines, dispensing healthcare and the Emperor’s justice across the battlefields of the 41st millennium.

Here’s the 2017 Primaris Apothecary alongside his very own primogenitor – the very first Apothecary miniature Games Workshop produced back in 1987. Oh, how far miniature design has come in thirty years.

The Primaris Apothcary is absolutely loaded with so much detail he crosses the line from miniature into micro-diorama. He stands over a fallen Battle Brother, having removed the progenoid glands, and every surface is festooned with details like cannisters, helix motifs, lenses and surgical tools. However, I have become obsessed with one detail – the mysterious skull strapped to his arse.

During the long evenings of painting, I came up with my own backstory about who this skull belonged to…

The Rogue Trader Apothecary came from Rochie of Buried Under Lead. Rochie has converted and painted up this mini already – you should check it out here. Thanks for the gift, Rochie!

Patreon Painting Tutorial

If you’d like to learn how to paint white exactly like this, I took super-detailed stage-by-stage photos on the Ninjabread Patreon, and have written up the method, colours and theory.

On top of this tutorial, patrons get instant access to the whole six month back catalogue with five more masterclasses covering other colours of power armour, cloth and my Golden Demon winning piece.

I’m really keen on collecting more Apothecaries now, and am taken by the idea of one with a Crimson Fists one with a bike or jump pack with “Fist Responder” armour graffiti.

The sheet-metal walls you can see above are a preview casting of a Fogou Models terrain set that’s coming soon! Keep your eyes peeled!

Coming soon: even more Space Marines, old and new!

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Back into Tzeentch’s Silver Tower! But this is not just any Silver Tower, this is a Silver Tower stuck in the past – when metal miniatures reigned supreme. I’ve painted six Citadel Tzaangor from 1990 – the greatest of all times. (Ha! Sly goat reference!)

These are all wonderful Bob Olley sculpts that are packed with weird and flamboyant details like the exotic head-dresses, ornate armour, and bizarre codpieces. Two of the Tzaangor in the range didn’t see release as their obscene helmets were spotted in time. (You can see the notorious unreleased versions at CCM.)

Tzaangor have “brightly colured or exotically patterned fur” according to Realms of Chaos, so I went for an unnatural turquoise colour. I’m unsure if the combination of bright colours and smiling anthropomorphic animal fuzz pushes them into My Little Pony territory, but hey ho! Their armour is blue and gold to give off an Egyptian-cum-Tzeentch vibe, and two have horns in alternating stripes like a pharoah’s head dress. There’s some minor weapon swaps to bring them in line with the Silver Tower game requirements, and one has a Light Acolyte sword to show they’re part of the same force. The Marauder shield with the serpent motif (thanks to Mr. Saturday for sending me them) further echoes the Light Acolytes whose staffs and belts feature a snake motif. Chaos Snakemen will have to be part of this force in the future!

That’s twenty-six of the vintage Silver Tower denizens now painted (Skaven here, Acolytes here, Light Wizards here and Horrors here). Now I can convert a classic Ogre into the Ogroid Thaumathurge – watch this space!

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I normally have a cooling off period before I buy new Games Workshop releases, as every miniature is turbo-exciting on first reveal and owning all of them is impossible. But the new Genestealer Cult Locus is such an instant classic he was not only pre-ordered but jumped to the front of the painting queue.

The sentinel-like pose, with him resting nonchalantly on his weapon in a set of long hooded robes, is one of Citadel Miniatures’ time-honoured sculpting tropes. Chaos Dwarf Khazek Doomlord, Human Wizard Pedregar the Green and one Champion of Tzeentch have also appeared with it. There’s a cheeky little Genestealer tail poking out under the robes’ hem which tells you he’s more than human, and when you get round the back there’s a set of carapace ridges that make you wonder about what generation of Hybrid he is.

The shoulderpads I painted with a little Cult icon and a W so when you look at the miniature from above it spells out “CW” – my initials.

Here he is on an advance casting of the Scrap Fort from Fogou Models, which is my ongoing major terrain project at the moment. I’ll be showing off the complete fort soon, and maybe using it as a rationale for growing the Genestealer Cult (can’t have just one Locus knocking about in such a large fort on his own).

Painting Purple Tutorial

As the Locus is 95% robes, he’s a great miniature for teaching the technique for painting cloth. The purple uses a “wet-blending” method that’s been photographed between stages from all angles and written up clearly and comprehensively, breaking down the theory, technique and colours used.

It’s my seventh instalment in the Patreon tutorial series that’s proved really popular. Big thanks to last month’s new patrons Craig, John, Steve, Ben, Jason, David, Toby, Jamie, Victor, Dimitrios, André, Alan, Brian, Alexander and Philipe.

The Genestealer Cult range is dripping with great models, from homages to the original Rogue Trader range (the Nexos), and new character types (like the Locus and the Kelermorph) which mean my Cult will inevitably grow. Though I might take an oldskool detour with the vintage 1980s Throned Patriarch and some Bob Olley Hybrids. Watch this space!

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With Space Marine players jumping for joy that the new Primaris miniatures get jump heavy weapons, I’ve jumped at the chance to do a Rogue Trader era squad – when jump heavy weapons were also a thing.

Stamped out in Warhammer 40,000’s second edition, and now only just reappearing 26 years later – Space Marines with heavy weapons could also select jump packs in a number of ways in the various army lists. Squad Taurasi have done it here by being a Tactical Squad upgraded to “Cobra Squad” status in the 1988 Book of the Astronomican army list – and the highly mobile lad on the far right is toting a Heavy Bolter.

I had a lot of fun painting checks on the jump packs, to give the squad some visual interest, and distract from the assymetrically lumpen sculpting of these vintage Marine miniatures. This design of jump pack commands a high price on the collector’s market and is frequently pirated, meaning it’s taken years of patient hunting to source five genuine castings – so they’re worth lavishing the paitning time on.

Sergeant Taurasi is not actually a Space Marine miniature, but “Female Warrior Jayne” from the RT601 Adventurers range, meaning this blog counts as part of the Choose Your Own Adventurers series I’ve been doing with cheet0r and axiom. Recently, cheet0r has incorporated some of the Adventurer Cyborgs into his Necron army, and axiom has turned an Adventurer Pilot into a Buck Rogers homage – check ’em out!

To spin Female Warrior Jayne as a sergeant she’s received a thigh-mounted helmet with rank stripe markings, and an an Imperial Eagle command trinket (in lieu of an unaerodynamic back banner) on her jump pack.

Squad Taurasi pushes my Crimson Fists force pleasantly closer to the initial 1000 points goal.

SQUAD TAURASI

1 Marine Champion [9], Power Sword [7]
16 POINTS

1 Marine [8], Power Axe [6], Bolt Gun [2]
16 POINTS

1 Marine [8], 2 Power Gloves [2*15]
38 POINTS

1 Marine [8], Plasma Gun [5.5], Hand Flamer [2]
38 POINTS

1 Marine [8], Heavy Bolter [15], Targeter [5], 2 Suspensors [2*2]
32 POINTS

Basic Equipment (all models): Bolt Pistol [1.5], Jump Pack [2], Knife [0], Powered Armour [6] (with Communicator [0.5], Respirator [0.5], Auto-senses [0.5])
55 POINTS

TOTAL: 195 POINTS

Crimson Fists Painting Tutorial

If you’d like to learn how I paint Crimson Fists, I’ve photographed a Marine in between each step of the blue power armour process.

These steps broken down, with the techniques and theory behind them spelt out, the tutorial is available on Patreon.  The skills you’ll learn are transferable to all colours of power armour. The back catalogue of tutorials also covers white armour and brass armour – and will continue to expand every month.

Coming soon – some vehicles and support characters to round out this vintage Rogue Trader force. I’ve been painting a Missile Armour Dreadnought on the twitch, and also powering through the original metal Land Speeder, and collecting the glorious classic Techmarines. Stay tuned!

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Q. What do you get if you cross a Chaos Centaur of Tzeentch, and a zebra?
A. A “Tzebra”.

Presenting Tzebra Doomstripe, the latest monster to swell the ranks of my vintage Warhammer collection.

This tzoological monstrosity was my entry into the “Make a Trish” competition in the Oldhammer Community. Challengers had a month to model and paint a Trish Carden miniature, and the Mistress of Monsters herself would pick a favourite.

Tzebra is not one actually one Trish Carden monster, but two mashed together. The MM94/1 Chaos Centaur Lord was a metal human torso designed to be fitted to the standard plastic Warhammer horse torso (henceforth: “horso”). But the plastic horso had spindly legs that looked wrong with the human torso’s majestically beefy barbarian arms, so I decapitated Trish’s MM83 High Elf Unicorn and used it as a replacement horso. This new unicorn part is, importantly, also saddle-free – Tzebra is a Lord of Chaos and tolerates no riders upon his horso.

To nudge Tzebra into Tzeentch’s visual territory, I swapped his barbarian broadsword for a scratch-built khopesh. His helmet plume was switched for a plastic Ork topknot, whose flowing lines better matched the new unicorn tail. Historically, these helmet plumes were made from dyed horsehair, meaning Tzebra has made a hat decoration out of his own bodyhair.

The skin was painted light blue at first (using a modified version of the Ur-Ghul recipe Patreon backers have access to), and had dark blue strips added afterwards. I did a digital mockup of the colours to experiment with continuing the zebra strips onto the human elements, and also to work out if the blue and white stripes that worked in my imagination would look too “Bananas in Pyjamas” (thankfully not).

Tzebra didn’t win Trish’s competition, losing out to Jonathan Marshall’s atmospheric Albion Fenbeast. You can check out a gallery of all the entries here . Thanks to Asslessman for organising the competition, and Trish for judging and providing the prize.

More tzany Tzeentch creations coming soon!

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The gaming table at Ninjabread HQ has a new centerpiece in the form of an absolutely giant space castle. This humungous 18″ x 18″ fortification dominates the desert landscapes of the far future – a rock solid bastion for miniature soldiers to defend. This is Fort Hardknox.

This giant resin kit came courtesy of Fogou Models. I got to paint and keep an advance casting of it in return for encouraging all of you to go and back its incredibly succesful Kickstarter campaign.

I’ve kept the paint scheme quite neutral so I can deploy it on the table for games of Strontium Dog, Warhammer 40,000, Judge Dredd, Doctor Who, Necromunda et cetera. It perfectly suits Mad Max, Fallout, Gorkamorka and anything with a post-apocalyptic flavour.

The Psycho Sam miniature was the event exclusive from the Oldhammer USA Weekend that Grove kindly gifted me. Asslessman, Lopez and Sean have all already painted this miniature in the red white and blue of the American flag, so to out-patriot all of them I modelled mine holding an actual American flag.

There’s a gallery of yet more Psycho Sams in the Oldhammer Community.

Asslessman, axiom and cheetor have all painted their own advance castings of Hardknox. The four of us have been comparing notes, swapping photos and bickering about whose painting approach is the best for months now. There’s talk of us combining our forts into one truly giant structure that would be big enough for the smallest of us (cheetor) to sleep inside.

And finally, don’t forget to check out the Fogou Kickstarter, ending today!

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It was competition time again over at the Oldhammer Community. The friendly neighbourhood Jeany-Bap-Baps challenged hobbyists to paint miniatures sculpted by the great Bob Olley, and have them judged by the Lord our Bob himself. I couldn’t resist, and so I created this mini-diorama.

Bob Olley was one of the key contibutors to the nascent Warhammer 40,000 range, and he sculpted a huge portion of the Squat range that I’ve loved collecting, painting and gaming with through the years.

The Squat Berserker isn’t actually one of those original Rogue Trader miniatures, but a hyper-limited edition that Bob sculpted for a tiny indie manufacturer that’s since disappeared. I was hoping its extreme rarity would mean everyone who saw my painted casting would HAVE THEIR MINDS BLOWN with the novelty.

Only not. The first bloke I showed mine to simply said, “Yeah whatevs, looks like the one I did.” Screw you, Paul. Screw. You.

Not only that, but turns out his blogpost features loads of other cool indie manufacturers’ Squat miniatures that he also painted before I did mine. Sho3box is exactly the kind of person that turns up to cool parties wearing the same Decepticon logo shirt as you. And with the girl you were hoping to ask out already on his arm.

So I had to push further to ensure novelty, and modelled the Slayer standing over another Olley sculpt – an original Citadel Miniatures Genestealer Patriarch. I sawed that huge lead torso diagonally in half, and chopped apart and resculpted the limbs until I was satisfied the Patriarch was looking sufficiently collapsed, defeated, and bleeding out into the cold metal grille of the base.

It’s also the second Genestealer model I’ve painted recently, the first being a Locus for a wet-blended purple cloth tutorial for Patreon supporters. Check it out here!

Over forty people made it to the finishing line in the Oldhammer Community‘s Olley competition, and we wait with baited breath to see who Bob judges the best. (If it’s sho3box, I’ll explode.)

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Space Marine Chapter founders love a good animal name. Mythical beasts of terror (Howling Griffons, Minotaurs, Silver Drakes…), apex predators (Space Wolves, Celestial Lions, White Panthers…), birds of prey (Hawk Lords, Necropolis Hawks, Raven Guard…), venomous reptiles (Iron Snakes, Viper Legion, Salamanders…). But I’ve just painted these Deathwatch, the Chapter named after tiny insects that burrow into your wooden furniture.

They’ve come to destroy the xeno-filth of the galaxy just like the beetles destroy your antique furniture. I suppose they’re not the only Space Marine chapter named after insects – there’s Mantis Warriors. But Mantises are cool insects that do decapitation and look like samurai. Maybe my problem with the Deathwatch name is just me, growing up binging on episodes of Antiques Roadshow and Lovejoy, and Joe Public just thinks it’s kewl as it starts with “Death” and death is kewl.

The Primaris Aggressors’ poses are entirely fixed, so the closest thing you get to choice is slicing the tag off the heads so you slightly twist them, though not too much as they’ll just end up staring at the inside of their armoured hoods. Fixed poses aren’t a bad thing, if they’re dramatic, but all three are “video game character selection screen” poses. It would have been cool to them pointing their guns not at the ground, and have the Sergeant pointing dramatically. But attempting any of that requires a filthy amount of modelling work, re-engineering all the pipes and ammo feeds.

So, with no reposing potential, I stamped these Deathwatch as “mine” with a big freehand banner on the Sergeant. It’s taken from the Ironclad Dreadnought kit – just like my Nemesis Chapter Intercessor Sergeant. The design is a combination of the Deathwatch and Ultramarines chapter icons, bordered with black and white checks. I was super-keen to get Ultramarines icongraphy front and centre since both the Sergeant’s shoulder pads are taken up with sculpted details.

I picked out the Deathwatch skull in red with a white stripe (along with the skulls on the fist, leg and shoulder), echoing the Codex Astartes veteran sergeant helmet markings. He’s named Amorgaudium as it’s High Gothic for Lovejoy – a rascally antiques dealer who understands how terrifying Deathwatch Beetles are.

I’ve photographed and written up a masterclass tutorial with all the steps, paint mixes and theory for the black on these Deathwatch. If you’d like access, it’s over on the Ninjabread Patreon page, along with over a dozen other masterclasses.

The squad’s now ready to join my Nemesis Chapter army as an Auxiliary Support Detachment. What next for the army? Maybe some Troops, maybe some HQ, (Death)watch this space!

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Buenos dias, Ninjabread readers. Today my Mexican-flavoured vintage Space Marine army gets some Adeptus Mechanicus reinforcements. An “Adeptus Mexicanicus”, if you will.

This Marine is one of the vintage Mark Copplestone designs, wearing a modified suit of Mk 6 power armour – instantly recognisable from its chest cabling and beaked helmet. What makes the Copplestone Techmarines really stand out is the wealth of bonus tech details – the toolbox, the magnifying lenses, the drillbit and equipment mounted on the belt. They’re a joy to paint.

The gnarly witch hand sculpted onto the right shoulder is the original symbol of the Adeptus Mechanicus, before it changed to the skull cog of today.

Back in the olden days, Techmarines were just basic lads with a bolt pistol, who you had to field one for each vehicle or support weapon in your army. Over the years they’ve grown in stature and are now mighty HQ choices striding around the battlefield with an exotic array of wargear and special rules. So that I can field this miniature in modern games of 8th edition Warhammer 40,000 and still have it backwards compatible for Rogue Trader, I modelled his modern wargear as a separate little drone.

The drone’s chassis started life as an upside-down 6mm Epic-scale Land Raider with the smoke launchers and sponsons sliced away. The weapon is the business end of the standard Rogue Trader Imperial Conversion Beamer, mounted on the much meatier body of a Eldar D-Cannon.

To descale it, I added big chunky rivets made from sliced down plastic tubing, and a big fat radio-control antenna with a pennant with the classic Beamer identification symbol.

In games of Warhammer 40,000 he’s been great at zapping enemies, but has yet to unlock his full potential as the army has precisely zero vehicles for him to repair. But I plan to remedy that soon with some solid lead Dreadnoughts, Landspeeders and support weapons!

Ninjabread communication complete!

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Len suilon Ninjabread readers. I’ve painted a set of Dúnedain Rangers in order to play some Fellowship of the Ring games set on the borders of the Shire.

With the exception of Aragorn, Dúnedain Rangers don’t appear directly in Tolkein’s Fellowship of the Ring book, or the Peter Jackson film adaptation. They’re just noted as lurking in the background being mysterious.

“…in the wild lands beyond Bree there were mysterious wanderers. The Bree folk called them Rangers and knew nothing of their origin. They were taller and darker than the Men of Bree and were believed to have strange powers of sight and hearing, and to understand the language of beasts and birds. They roamed at will southwards and eastwards even as far as the Misty Mountains; but they were now few and rarely seen.”

– The Lord of the Rings, At the Sign of the Prancing Pony

Six of the miniatures (all the ones with masked faces) are Citadel’s ME-25 Rangers of Ithilien, but I’ve repurposed them as their distant Dúnedain cousins, as Tolkein is sparse with descriptive details. Modern Games Workshop also produce a set of “Rangers of Middle-earth” that they recommend you use as any type of forest-lurking human group.

Attached to the group is the ME-12 version of Aragorn, in his Strider the Ranger persona. He’s a really strong sculpt, with a weathered nobility on his face. A nice detail is that his left hand is clutching a second sheathed sword – the pieces of Narsil that he carries as an heirloom of his family and to symbolise his birthright to the throne of Arnor.

In command of the Rangers is my slaphead with an earring rendition of Halbarad. The sculpt’s expression of withering disdain is his main tool for keeping the group of strong-willed loners together. Thanks to Jesper Moberg over on the Oldhammer Community for identifying the figure as a C04 Thief.

I’ve added some further variety to the group with a pair of Citadel’s Advanced Dungeons & Dragons Thieves, and a wannabe Hobbit ranger to impress on players they’re not just anywhere in Middle-earth, but defending the borders of the Shire. I’m excited to see how they get on in games against the Nazgûl and other nasties.

More from Ninjabread’s version of Middle-earth soon! Novaer!

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I ni ce Ninjabread readers. Fogou Models recently sent me advanced castings of their brand new mud hut range, on the condition I sent them back painted photographs for their Kickstarter. And now I have an entire mud hut village to play games over.

I imagined my buildings as a Dogon village at the time of the Arab Conquest, as that’s the period I want to game in. But I kept the paint scheme neutral so that with a tactical choice of accessories I can pass the buildings off as coming from the Pre-Pottery Neolithic B era, the Tunisian campaign in World War 2 and ANY POINT IN THE INTERVENING TEN-THOUSAND YEARS OF HUMAN HISTORY.

If the giddying versatility of mud huts through history is simply not enough for you, the buildings can slip into a similarly vast array of fantasy and sci-fi wargame settings. Oldhammer peers axiom and asslessman both science-fictioned up their advance castings with all sorts of greebles transgressing the historical wargamer’s sensibilities. Rather than stare on enviously, I asked Fogou nicely for another hut that I could spin as a Space Ork adobe.

I had so much fun painting these buildings that even though I’ve blasted through a whole village I’m keen to do more. Maybe fill a whole 6×4′ table and play big games of Warhammer 40,000 Cityfight but in an Ork city rather than the bog standard Imperial one.

The thing that doesn’t come across in these photos is how the kits are designed to be painted super quickly. Assembly is minimal, and they’re moulded in yellow resin that you can drybrush without having to prime or basecoat. You could paint up a whole Dogon village so quickly I begged and begged and begged Fogou to call the project…

Thanks to Fogou for all the buildings! Check out the Kickstarter, which ends this week. K’an bεn!

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Merry Christmas, Ninjabread readers! This Christmas Eve we turn the clocks backs to 1985, and Citadel Miniatures are celebrating the festive season with the release of this gem – the LE6 Space Santa.

Space Santa is a Bob Naismith classic, covered in details that transform our jolly pagan icon into a badass – toting his cracker gun with a backup thigh-holstered pistol, Santa chomps down on his cigar and squints into the far distance with his one good eye to call in a tactical airstrike from Rudolph from his headset microphone.

I upped the Christmas levels by adding some presents to the base. The boxed gifts and teddy bear were sculpted with Milliput and Procreate, alongside an Epic Castellan-class Robot (inspired by axiom’s remote-controlled toy bot). In the end I left the robot off as it wasn’t obvious if it was meant to be a cute toy or a badass robot elf sidekick.

I had a lot of fun freehanding the wrapping paper on the presents, though the amount of time it took made me glad I’d not sculpted a huge pile for Santa to stand atop like I’d originally planned.

Santa grows my collection of Citadel’s 1980s LE (limited edition) miniatures. Here he is with both the RTLE Christmas Space Marines, the LE2 Imperial Space Marine, and the LE4 Call of Cthulhu detectives Bogart and his partner Cagney. I’ve got another couple of LEs underway for 2020, and there’s another four Santas to hunt down in the spring time when prices on Christmas-specific miniatures are at their lowest.

Thanks to everyone for reading and commenting on the blog this year, and a special thanks to all of you that are also backing the Patreon. All the best to you this holiday season! Ninjabread communication complete.

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It’s Bob Naismith Challenge Time on the Oldhammer Community. Painters the world over are working on pieces from the grandmaster’s extensive back catalogue of gems, to be judged by the Lord Bob Almighty himself. Bob was so prolific in the 1980s (and still is today) that my shortlist of entries was 38 ideas, and one mini that bubbled to the surface was the Traitor General.

The Traitor General is the central antagonist in 2000AD’s Rogue Trooper strip – a treacherous military commander being hunted by the eponymous Rogue Trooper.

The Citadel Miniature is a great likeness of the comic art, burnt face and all. Bob’s sculpted him with a blinded swollen eye, permanent snarl from soft tissue damage to the lips, and the ultimate signaller of evil – a bald head.

I have modified the miniature – filing away the original scupted detail of the burnt scalp, which I feared would look like a hairpiece rather than damaged skin.

The miniature came courtesy of Jason Fulford, who’s already painted a copy and has been a great help pointing me at reference material and inspiration for the colours. A lot of Citadel’s 2000AD range never appeared painted in the official publications, and the comics were in black and white so colour choices took some research. Thanks, Jason!

There’s still loads of time to get your own entry into the competition, just head over to the Oldhammer Community for full details.

But this one miniature isn’t my complete entry to the competition. Coming soon… more Naismithery!

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When I was a child watching Doctor Who, I was fascinated by the idea that in the future the Doctor would undergo his twelfth and final regeneration into the thirteenth Doctor, and I would be there to watch it. THAT FUTURE IS HERE! NOW!

This is Warlord Games’ rendition of the Thirteenth Doctor, in miniature form. Technically Jodie Whittaker is the fifteenth regeneration, or infinity-eth regeneration, but whatever the canon is she represents that magical point I imagined with wide-eyed wonder when I was a child.

The Thirteenth Doctor is a very much an incarnation of the current trend for realistic proportions and subtle details. Compare the head-to-body ratios or the chunkiness of the clothing folds with the earlier licensed Doctor Who ranges above and you can see how the times they are a-changin’.

The details are too subtle at points on the Thirteenth Doctor, with areas like the shirt’s neckline just one coat of paint away from disappearing entirely, or her hands ending up cast as amorphous stumps you have to freehand the fingers onto. Some of the more recent unofficial Doctor Who-inspired ranges, (like Crooked Dice’s or Heresy Miniatures’ shown below) have a better grasp of how to design a modern miniature with detail that cast well and is fun to paint.

But enough dwelling in the past and back to the present day – let’s talk about the TARDIS!

This TARDIS is a single piece resin casting that comes moulded in a fetching blue colour. It’s an iconic British spaceship that connected with something really deep down in my childhood. I painted it with a subtle woodgrain effect on the doors (similar to the wooden Trebuchet featured in the recent Patreon tutorial), using Vallejo Model Colour Heavy Blue as the starting colour.

The TARDIS miniatures suffers from visible build lines in the roof that betray the fact that the master was designed in a computer. And, like the Doctor, the sculpted detail is dangerously subtle – the “FREE FOR USE OF PUBLIC” notice is scarcely there, and won’t pick up a shading wash. Worse yet, the entire piece has undergone the moulding process at an angle which means the castings are skewed into a parallelogram shape.

Despite the flaws, I am really pleased to have painted these icons of British science fiction and have them available for games.

Coming soon! More heroes that ride around in blue boxes. Ninjabread out!

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This March I am proud to present an Ultramarines combat squad deliberately contrived to conjure up a very particular point in time – November 1990. It’s March for Macragge.

Tactical Squad Rhenus. Their presence remakes the past.

In November 1990 Space Marine design saw a step change with the release of the RTB15 Strike Force boxed set. The new age of Warhammer 40,000 was ushered in with these brand new metal-plastic hybrid Marines.

It was the transition point from mk6 power armour to mk7 power armour. It was the transition from one-piece metal castings to metal torsos with plastic arms and accessories. It was the transition from Bob Naismith, Aly Morrison and Mark Copplestone designing Space Marines to Jes Goodwin.

There are two versions of each of the Strike Force torsos – the earlier verion had rounded shoulders which made them backwards compatible with the RTB01 plastic arms, and the later version had the shoulders flattened off to fit with the 1991 redesigned arm sprue. The 1990 arm sprue from the Strike Force box was curiously discontinued – if you know why, please enlighten me in the comments.

The 1990s would go on to see the mk7 range fully rounded out with more torso designs, special and heavy weapons, jump packs, and all new accessory sprues. But in November 1990 if you wanted any of that for your mk7 marines you had to use the old mk6 pieces – which is what I’ve done on this squad. The Sergeant’s powerfist and weeny bolt pistol, the rocket launcher, various ammo packs and binox are all pilfered from the RTB01 kit.

The RTB01 rocket launcher (below left) requires a bit of fiddly modelling to get it to work on a Strike Force torso – the arm toting it is a combination of the original RTB01 arm with a Strike Force shoulder pad, and some putty for the wrist armour.

The Ultramarines project means I’m painting three blue Space Marine armies concurrently. I’d be nice to have the three projects more visually distinct, but I’ve got strong emotional reasons for each scheme individually so I will just have to live with a big jumble of blue in the display cabinet. It’s like that Eiffel 65 song. Da Ba Dee. Da Ba Daa.

I’m bursting with ideas for other Ultramarines squads, and while I’m not going to collect the entire Chapter there are 99 other squads to explore with 1990s-themed collecting and modelling ideas.

This squad makes me feel as nostalgically 1990s my other hobby – standing outside derelict Global Video stores.

I’m putting together a full tutorial for Ultramarines power armour which will publish soon. If you head over to the Patreon, there’s already a wealth of tutorials for how to paint Blood Angels, Crimson Fists, Nemesis Chapter, an Apothecary, Deathwatch, gold power armour and battered yellow armour, as well as lots of skin recipes and special freehand walkthroughs.

Coming soon, more blue Space Marines. Ninjabread out!

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Tzeentch has many Silver Towers floating through the Mortal Realms, but the one I am building is full of throwbacks to a time when metal miniatures reigned supreme. Welcome back to my Silver Tower of lead.

The initial spark that led me on a four-year quest to reconstruct the Silver Tower game with 1990s lead miniatures was two of the tiny familiar miniatures – instantly recognisable as reimaginings of Citadel classics from days of yore. I’ve painted a complete set of modern plastic versions, and a complete set composed of 1980s/1990s analogues.

The CH5 Lune Familiar is an adorable moon-headed mook who was reborn in plastic complete with his original moon on a stick, tintinabulous jester shoes and scowling moonface.

The CH5 Walking Book Familiar was a perennial favourite of Warhammer players, popping up as a wizard’s helper in Chaos and non-Chaos armies for years. I’ve not thought of anything high concept enough to paint freehand on the pages of the plastic version, so I’ve left them blank for now. Maybe I will leave it blank forever and claim it’s an unwritten journal.

The small Lord of Change (Lord of Small Change?) was originally designed as a 6mm Epic Greater Demon miniature, but rolled into the CH5 Chaos Familiar range for the 1991 Citadel Catalogue Section 2. I’ve painted mine in orange and turquoise to match my 28mm Greater Demon. The new plastic version takes the mini Greater Demon vibe even further, having been written up in the background as a mischievous sprite with the delusion he’s an actual Lord of Change.

The fourth and final Silver Tower familiar, Slop, is a subtly different kettle of fish to the others – inspired not by a CH5 Chaos Familiar miniature but by Mordheim’s leitmotif of mutant fish artwork or old Ian Miller illustrations. I’ve painted the plastic Slop’s the tail with a Rainbow fade to match Blot.

That’s another adversary group ready for Silver Tower. You can see Brimstone Horrors here, Light Wizards here, Light Acolytes here. Tzaangor here and Deathrunners here. Time to start work on the next of the nineties nasties.

Ninjabread out!

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Introducing the classic plastic 1988 Warlord Titan Ferrum Dux, part of my growing War Griffons Titan legion.

Ferrum Dux was painted for a game of vintage Adeptus Titanicus (none of that fancy new 8mm stuff) against the forces of Jean-Baptiste & Associates. He joins the Warhound Titan that Jean-Baptiste also strong-armed me into painting, proving I’m nothing more than a monkey dancing to the whims of that man.

The Warlord kit is simple kit of only about a dozen pieces (compared to the modern version’s 144), and has to be assembled in a very fixed pose of striding forward with the left leg. This has the effect of making multiple Warlords (like there’d be in this game) look like a dance troupe. To avoid this I amputated both legs at the knee, and replaced them with a pair of right legs so the ankles and knees would be symmetrical.

The humongous number of weapon options the kit came with have been cannibalised by years of my frivolous conversions, so I had to resort to some trimmed Technolog missile pods for the carapace. For bonus hipster points, the banner pole fitting is a cut down Zoid cannon. I magnetised all these options though so I can switch them out later if the guilt becomes too much. Or I find even rarer indie kits to incorporate.

The carapace banner designs are adapted from the Wayne England illustrations on the War Griffons spread in White Dwarf, as is pretty much the entire Warlord’s colour scheme. However, this time I experimented with introducing the yellow you see a lot of modern War Griffons in. I’d previously thought it would look odd alongside the gold, but it worked a treat. And ultimately, I’m glad I’m getting all these colour experiments done before I commit paint to the 40K scale Armorcast Titans.

This mighty metal plastic warlord is now ready to come crashing down in sheets of flame on the gaming table, as it did right at the start of the long-anticipated game with Jean-Baptiste. You can read Sean’s write up of that disasterous battle here. War Griffons, huh, yeah, what are they good for? Absolutely nothing!

Here’re my Titans fighting against my old tournament Ork army. You can see I have a big thing for big Titans with big banners and lots of big rockets.

Two Titans done, more on their way. I’ve got a second Warhound and a Reaver on the desk at the moment – watch this space.

Ninjabread out!

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Come friend, come and learn of the secret origin the first Inquisitor at the dawn of Warhammer 40,000. This is the tale of Inquisitor Lord Augustus Hargen and his ingredient parts.

Sculptor Bob Naismith made this O.G. Inquisitor by combining two Citadel Miniatures from earlier ranges – Warhammmer Fantasy’s CH2 Chaos Warrior Sir Gigal de Appliance and 2000AD’s JD14 Traitor General. I painted all three so they could stand side-by-side radiating mad Citadel Crossover Energy.

This magical combo of medieval fantasy tropes and British military scifi elements established the tone for Warhammer 40,000. The whole gothic techno-fantasy universe spins out from seeds like this and Inquisitor Ezquerra. Thirty-three years later Games Workshop are still designing ornately armoured Inquisitors like the upcoming Kyria Draxus.

Shout outs to the Jason Fulford, Danny Kastigaunt, Loorg and Matthew Sullivan renditions.

I entered Hargen, along with Sir Gigal and Traitor General into the Oldhammer Community’s Naismithery Competition, and to my astronomical levels of delight Bob Naismith chose the trio as the winner. Bob’s sent me a super-special one-of-a-kind prize which I’ll show soon. Thanks, Bob! Bob’s currently working on his Overrunners range which you can check out here.

Ninjabread out!

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I am that exact type of person that plans annual holidays using the Ordance Survey maps of Ancient and Roman Britain. I spend days hiking through the remote countryside in the rain with a napsack full of boiled eggs to find the spaces prehistoric people once lived and thrived.

Fancying myself as Lord of the Ringforts, Mr. Crabb at Fogou Models offered me the very first castings of his latest terrain project in return for photos of them painted nicely. And paint them I did.

This is the basic ringfort, built from seven wall sections and one gate section. All the pieces have an interlocking brickwork design on the outer face to disguise the component joins. I don’t know how Mr. Crabb got it all to line up so flawlessly, but I suspect dark Cornish sorcery.

If that understated rectangular doorway with its stone lintel are too low key for you, there’s also a fantasy style gateway with a pair of towers flanking a bronze goblin-faced gate sculpted by the Kev Adams. Now you can have much larger things get in and out the fort – like trolls, ogres and my reference library on prehistoric and Dark Age structures.

To accompany the ringfort, I also painted this pair of thatched buildings which can either go inside the fort as the defended structures, or act as standalone pieces. I’m going to pair the recentangular one with my Dark Age Church as a crofter’s dwelling.

But wait! There’s still more! There’s a nice pair of thatched stilted granaries, a pigsty, a well, firewood and pots that I’ve used to make a complete village.

I got a bit carried away painting freehand patterns onto some of the pots – I like to imagine them as vessels with histories of their own that come from the extensive trade networks. I also see them as a nice way of adding life to a scene, and they make for subtler representations of material wealth than the classic objective marker of a treasure chest full of gold coins.

There’s a desstroyed wall section you can use to represent a partially ruined fort, and even switch into your fort mid-game if you’re playing a siege.

Here’s a pile of Orcs pouring through it to fight the Fellowship of the Ring.

Stone buildings are pretty timeless, and with a bit of “set dressing” in the form of modern crates, here it is being used in the Napoleonic era.

Nicely, the doors are cross-compatible with the other Fogou offerings, so a quick switcheroo and this fort section is ready for science fiction wargames too. Thanks to everyone that’s pointed out the door looks like a Confederate flag.

Finally, my cat (who is coincidentally named after a ringfort) has also found a great use for the piece.

So thanks to Mr. Crabb for letting me be the first to get one! If you’d like your own, they’re currently over on Kickstarter and will be added to the Fogou Models site in the future.

Ninjabread out!

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